iJourneys

John Gough Photography

Multiple Exposure

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Primitive Multiple Exposure / John Gough /Canon 6D

 

A week or so ago I attended a Bailey Chinnery workshop in Hastings. The workshop was run by Valda Bailey and Doug Chinnery. It concentrated more on the creative process of photography rather than technical information, and traditional composition etc.

This paragraph from their website sums up their approach:

So it is our goal that these new Creative Growth workshops will have a more intense focus on artistic development. We want to help you open your mind to think with greater freedom, develop your own style, forge your own path. It is our hope that they will facilitate your progress as an artist and you will come away creatively invigorated and inspired.

The workshop I attended was for one day and concentrated on creating abstract images in camera using multiple exposures, and Intentional Camera Movement (ICM). I was interested in using multiple exposures to create background layers in Photoshop. However, I was quickly impressed with the possibilities of creating multiple exposure images as pictures that stood upon their own.

How It Works

I don’t want to go into the technical bits. However, if like me you did not know if your camera even had multiple exposure functionality. Then follow this video:

Multiple exposure photography lays one image on top of another in camera. The camera software averages out the exposure values so that all layers are visible. It requires considerable skill to turn a set of random shots into a meaningful image.

The Creative Possibilities

There are endless possibilities to create shapes, abstracts and impressionist art, as this work by Valda Bailey illustrates.

There is a wonderful ‘in the moment’ quality about photographing a location in this way. Valda Bailey told us that she will spend at least an hour before she picks up her camera. I can understand why. It requires intense concentration to take several images in a sequence that will work together to form a finished photograph.

I have only been experimenting for a few days as you can see from the example at the top of the page. There is more work to do.

London Nights Exhibition

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I mentioned recently that I had visited the London Nights exhibition at the Museum of London. Some of the images on show are amazing and encourage you to walk around your neighbourhood at night to see just what your camera can see.

This article in the British Journal of Photography showcases the exhibition, and a new FullBleed film produced in association with British Journal of Photography and the Museum of London, which explores the exhibition through the eyes of its curator and a selection of exhibiting photographers.

I, of course, loved the 50’s images with men in gaberdine macks, smoking on street corners under gas lights, but with over two hundred and fifty images from over sixty photographers, there is something for everyone.

Photography in the Peak District

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Curbar Edge / John Gough / Canon 6D

The way to really appreciate Curbar Edge in the Peak District is to get there at dawn, and if you are lucky with the weather, the sun will rise behind you throwing the rocky outcrop into relief creating memorable photographs.

We did just that last week. Thanks to Clive Williams at Bedford Camera Club for organising the event. We set off from home at 4.00am and arrived just as the sun was rising at 6.45.

Curbar Edge

Curbar Edge, in the Peak District, is a high gritstone escarpment offering spectacular views across the idyllic countryside of the White Peak.

If you go there, the National Trust car park can be found at Clodhall Lane, Hope Valley, S32 3YR. Climb the steps at the rear of the car park and follow the path.

Photography

I did not take a long lens, but I wished I had so I could have got a better shot of the villages and stone walled fields further up the valley. If you are lucky then the valley may be clouded over below you, adding to the drama of any photographs.

I used a tripod, and a wide angle lens, with a small aperture around f22 for the shot above. This ensured both the rocks and the valley were in focus.

Just through the morning gloom is Chatsworth House. With a longer lens and mist or snow on the ground, this could be a fabulous shot.

 

 

Where I Buy

I buy my equipment from Wex because of their exceptional customer service. I once returned a camera after 30 days, and the next day they called to return my money to my account. Their prices are always competitive and they offer good prices on the trade in of your used gear

This Image was Taken on a Canon

The Street Photographer Behind the Mirror

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The Mirror / John Gough / Sony a6300

I was taking photographs in the City the other day following a visit to the excellent London Nights exhibition at the Museum of London. Although I am at heart a street photographer, I do think the urban environment offers fantastic opportunities.

It is possible to walk from the Museum of London to Moorgate, and into the Barbican on elevated walkways. If there is good light this raised environment provides creative ways to play with the sunlight, that cuts majestically through the spaces between the buildings. A shard of light, or the interplay of light and dark, with people walking half in and out of shadow, are one of the techniques that urban photographers have played with since Henri Cartier-Bresson in the 1930’s.

Today the swathes of glass offer fantastic reflections. As the picture above illustrates. I had to wait for some time for that shot. Waiting for a figure to occupy that first third of the image.

As I stood pointing my camera at the window, a security guard tapped me on the shoulder and asked me what I was doing. As usual, because this happens to me quite frequently, I have a well rehearsed response. I was polite, I engaged in conversation and offered him my business card. A business card is essential for any street photographer, I have managed to escape without acrimony many times this way.

Later, as I thought about it. I tried to imagine what it must have been like for whoever was on the other side of this mirror faced glass window. Probably it was an important business meeting or business deal which could have reached a dramatic climax. Then looking up the city bankers saw me prone, camera in hand, pointing it forcibly in their direction.

In that situation, I admit I too would have been indignant and summoned security. After all, I know what it feels like, I was behind that mirror once.

Where I Buy

I buy my equipment from Wex because I have genuinely found that they offer great advice and customer service.

 

Sony a7000 Rumours

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Sony a6300 with Sony Vario-Tessar T E 16-70mm F4 ZA OSS

Sony a7000. Will it look the same as the a6000 series?

We don’t know what it is going to be called, there are rumours that it could be a Sony a7000. However, speculation is growing that after Photokina, which ends in Cologne on the 29th September, and before the PhotoPlus EXPO in late October 2018. Sony will announce an APS-C camera that is a ‘mini A9’. So a small light weight high spec’ camera with world class technology.

The Mirrorless Market

The camera world has been focussed on full frame cameras, with the launch of the Canon EOS R and the Nikon Z (pronounced like pee). However, they are following the lead of Sony with the launch of the groundbreaking Sony a7III. It is interesting that the narrative around mirrorless cameras has been changing. We have commented before that Canon and Nikon have launched big mirrorless cameras, and the ethos of small, light and portable had been lost. Instead, the excuse for big mirrorless cameras is that they are the platform for future advances in technology. Faster burst rates, closer integration with video, information packed viewfinders and subject tracking AF. What if Sony could pack all that technology into a small package Sony a7000?

So congratulations to Fujifilm in keeping the same form factor with the launch of XT-3, a small camera bursting with technology, which can be partnered with small high quality lenses.

Whereas we once saw the APS-C market declining as consumers moved to full frame, perhaps Sony see an opportunity with the Sony a7000,  to create sophisticated cameras that will appeal to those that are more used to their phone, rather than a camera the size of a handbag.

A ‘mini a9’

By creating a flagship ‘mini a9’ with an APS-C sensor, which sat on top of the a6000 series. Sony would have created a unique range. Nikon and Canon would have nothing that could compete. So where do they go? Leave the market to Fujifilm, Olympus and Sony? Or as they have done recently, rush out their own models?

Sony is out for domination. In the mirrorless space, it looks as though they are going for a pincer movement

Where I Buy

I buy my equipment from Wex because I have genuinely found that they offer great advice and customer service.

 

Is the Canon EOS R a Rip Off?

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Canon EOS R

We were not invited to a luxury hotel in Hawaii to see the launch presentation of the new full frame mirrorless camera from Canon, the Canon EOS R. However, what struck me from the limited specs and pictures we have seen, is just how big the new camera and the new RF lenses seem to be.

This is the Canon EOS R with the 50mm RF lens.

Canon EOS R

 

The Canon EOS R is Big

There were only ever two real benefits of mirrorless over DSLR’s. That is size and weight. Taking out the mirror mechanism enabled the camera to lose weight and become less bulky. An example is the Sony a6500, which is just one-third of the bulk of the equivalent APS-C sensor, Canon 7D Mark 2. It also weighs around half as much as the Canon.

Canon is not alone, both Sony and Nikon full frame mirrorless cameras have become bigger, as these manufacturers grapple with including bigger batteries to illuminate their power hungry electronic viewfinders.

Canon, however, seems to have lost the mirrorless ethos. Compared with their own similar spec DSLR, the Canon 6D Mark II. The mirrorless Canon EOS R, is 94% of the size and 87% of the weight. The question we have to ask ourselves is. Is this a mirrorless camera or is this a DSLR without a mirror?

Incidentally, this beefy shell has been achieved without a quantum leap in battery performance. Which is 330 shots, so spare batteries or a grip are essential.

The Canon RF lenses are Huge.

Moving on to lenses, the Canon RF lenses which go with the Canon EOS R, are massive. Admittedly the RF 24-105mm f4L is similar in size and weight to the DSLR equivalent the EF 24-105mm f4L. However, the RF 50mm f1.2L is over 70% larger than the equivalent EF lens and 60% heavier. This new lens costs £2349 and does not even have stabilisation and neither does the camera!

The new fat RF 28-70 f2L weighs in at a gigantic 3lbs.  That’s a lot to carry around with you on your next mountain trip. Plus there is no stabilisation so add a tripod.

Conclusion

This big camera and huge lenses change the mirrorless paradigm. No longer are these cameras fun, lightweight, and portable. They have returned to being Canon and sensible, like wearing a tie with shiny shoes.

Where I Buy

I buy my equipment from Wex because I have genuinely found that they offer great advice and customer service.

 

 

Canon Full Frame Mirrorless Rumours

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Canon EOS 6D Mark II

Thanks to Canon Rumours for this information but it seems that Canon is poised to launch a Canon full frame mirrorless camera anytime soon. We wrote recently that Sony was so far ahead in terms mirrorless technology and glass, that the likes of Nikon and Canon could never catch up. However, the latest rumours from Canon may just change all that.

Nikon Z Series

Since then Nikon has announced the full frame Nikon Z6 and Z7. Please note that Nikon is insisting that Nikon is pronounced like nitrogen rather than knickers, and Z should rhyme with pee. These cameras have not been reviewed yet, but have had mixed first impressions following carefully controlled hands-on sessions for journos and bloggers. To get a feel. This is the review from Tony & Chelsea.

The big hold that Canon and Nikon have on the market is lenses. Photographers have scrimped and saved to put together a portfolio of glassware and are reluctant to trade it in and start again. Nikon have only three lenses for the Z series. There is a promise of an adaptor and a road map for new Z lenses into the 2020’s. This is a further drawback for the Nikon Z which rhymes with tea.

Canon Full Frame Mirrorless

We thought this is the way the market would play out. With a ‘me too’ launched by the big players that did not quite match Sony. However, there are rumours that the new Canon full frame mirrorless camera will have a mount that will accommodate EF lenses. This would indeed be a game changer.

It is rumoured the Canon full frame mirrorless is called the Canon EOS R, with new design RF lenses. The rumoured specifications are similar to the Sony a7III, and are listed by Canon Watch.

Launching a camera that can use legacy lenses would be a significant achievement. It would seem that the only way that Canon may have got around the flange distance problem. That is the difference between DSLR EF lenses and the new RF lenses. Might be to allow these lenses to protrude into the body of the camera. Who knows?

It is a tantalising prospect that Canon may have solved the lens dilemma without needing to resort to a separate adaptor like Nikon. If that is the case, then it is game on between Canon and Sony in the full frame mirrorless battle to come.

Sony a7000 Rumours

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Sony a6300 with Sony Vario-Tessar T E 16-70mm F4 ZA OSS

Sony a6300

We thought it would be the a6700 that would replace the Sony a6500, but the latest rumours are that a new model, the Sony a7000 will be released. This camera will be a small APS-C camera, like the a6500, but not necessarily a successor to it.

As we said when we talked about the rumoured a6700. Sony has to do things with this camera over and above just extending the existing features of the a6500.

Why the Sony a7000 is Important

Firstly, we know that Sony is going for dominance of the mirrorless market. This means chipping away at the territory that is very well defended by Fujifilm. We know that there is an XT-3 on the horizon, which will supplant the massively popular Fujifilm X-T2. This will be the camera that the a7000 will have to go up against and win.

Secondly, the Sony gamechanger in the full frame arena, the Sony a7III has been selling furiously because of its amazing price point of £2000 / $2000. If the a7000 has a similar spec but is not a lot cheaper. Then consumers may as well just spend a bit more and trade up to a7III. Sony will want a price point at around £1600 to match the Fujifilm X-T3, which will have to come in under the X-H1 which currently retails for £1700.

So the Sony a7000 has to be special.

Suspected Features of the Sony a7000

We should not put it past Sony to introduce a gamechanger into the APS-C space, as it has done with the A7III in the full frame market. Already this new camera is being rumoured to be a mini A9, the Sony full frame flagship.

  • The size is likely to increase to accommodate the new Z type battery. This could mean just a bigger grip, but would likely look odd if the remaining dimensions remain the same.
  • Sony has been doing a lot of work on improving rolling shutters so that images do not appear elongated when shot at insanely high fps. We know that Sony has patents for a global shutter. The difference is explained here
  • Talking of fps, 20 fps is rumoured vs 10 fps on the A7III and 20fps on the A9.
  • Fully articulating screen, a must for v-bloggers.
  • Improved IBIS. Better than 5 stops?
  • Updated sensor. Possibly a stacked CMOS sensor similar to the A9, which would mean that it could read focus and exposure data at an amazing 60 times per second, to enable faultless tracking and autofocus.
  • 4K 60p video as is rumoured on the X-T3

Concern Over Rumoured Sony a7000

A niggling concern is that Sony may be trying to create a premium APS-C camera like the Sony Cyber-shot DSC-RX1R MKII compact camera. In the compact camera market where the average price is around £500, this camera costs £3000. A great camera, but just too pricey.

What would delight us a6xxx shooters would be if the a7000 heralded a new genesis, which like the a6000 went on to create a line of great cameras.

Rule of Thirds

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Crossed Lines / John Gough / Sony a6300

In photography why bother following the rules to be really creative?  Why not just throw away the rule book and create beautiful images?

However, breaking up is just so hard to do, and the Rule of Thirds is just so useful that you will never want to dispose of it. It is the first composition rule that most photographers learn, and the one they will use forever.

The Rule of Thirds has been used for centuries. By Leonardo da Vinci for example.

Rule of Thirds

Rule of Thirds

Once you aware of the rule you will notice it countless times each day in photography, film and TV. Rarely does the subject of a photograph happily sit slap bang in the centre. Instead, it is usually more pleasing to place it one third in from the left or the right. Similarly with a horizon. In the centre would just split the image in two, a third from the top or bottom makes the image far more interesting.

Why does it work? It just does. The Rule of Thirds is one of the rules of nature.

Rachel across at Photography Talk has created a great guide on how to make it work in your photography. Check it out.