Journey Archives - Page 3 of 17

My Wildflower Images at an Exhibition

A couple of my wildflower images are on display at an exhibition at the Willow Tree in Walthamstow, London.

Details of the exhibition are:

Kindred

We delve deep into Biophilic design and explore our innate connection (kinship) to the natural world. We celebrate the magic of this home on the edge of the Wetlands, with the River Lea and Epping Forest on our doorstep.

The artists featured in the collection find an abundance of inspiration within their environment. They are artists who pay attention to the delicate patterns on leaves and the way sunlight dances upon water. These are artworks for adventurers, stargazers, escapists, foragers and birdwatchers. For the explorers who love the wind in their hair and the crunch of leaves underfoot. Artworks to bring the urban wilderness of Walthamstow into our homes and onto our walls.

Purchase

My wildflower artwork can be purchased at Artsnug

Canon R1 Spec’ Rumour

by John Gough

The rumour mill is beginning to turn with the news that Canon will soon announce a new flagship camera, the Canon R1. What we want to know is. What will the spec’ look like? To understand that we look at the Canon R3, the Sony A1 and the Nikon Z9

A Replacement for the Canon EOS-1D X Mark III?

Is this a replacement for the Canon EOS-1D X Mark III? This camera is a professional’s favourite. For those news and sports photographers that are still sticking with a DSLR then nothing can replace it. That is sadly because Canon is unlikely to produce a Mark IV.

Buoyed by the success of their mirrorless range which started with the R and RP in 2018. Canon has gone on to successfully launch the R5 and R6 which neatly replace their DSLR counterparts, the 5D and the 6D.

More recently Canon has introduced the R3 which is designed for sports and wildlife photographers.

Those flippy mirrors are becoming a thing of the past and the R1 will complete the range most likely replacing the 1DX.

What is the Canon R1 Spec?

As the Canon R1 has not even been announced, (we are expecting that later this year or early next with a 2022 Q4 rollout). The expected spec’ has to be one that will compete with the new Sony A1 and upcoming Nikon Z9. So what could it look like?

Sensor

There was disappointment that the Canon R3 has a 24MP sensor. The R3 is designed for sports photographers, who require lower resolution images that can be quickly streamed back to newsrooms. The Canon EOS-1D X Mark III has a similar 20MP sensor for the same reason.

The Canon R1 is going to be a more general workhorse, so more likely to compete with Sony and Nikon. The A1 has a 50.1MP sensor and the Z9 45.7MP. So the Canon R5 45MP CMOS sensor could be a contender, but expect Canon to push a new sensor to around 50+MP for their flagship offering.

Frame Rates & ISO

Frame rate is important for professional photographers. As a celebrity emerges from a night club you don’t want to get stuck with slow exposures. You need a high ISO and a fast frame rate. Looking at the R3, it has a top ISO of 102400 and a shutter frame rate (electronic) is 30fps.

However, the R1 will have to pull the stops out to catch the 120fps (restricted to 11MP) on the Nikon Z9. The Z9 achieves this with a processor which has the world’s fastest scan rate with what is claimed to be virtually no rolling-shutter distortion. Nikon claim this is equivalent to a mechanical shutter, which is why there is no mechanical shutter in the Z9.

Can the R1 make the same quantum leap? will it also have no mechanical shutter?

AI

What is beginning to set all cameras apart is AI. The R3 has eye controlled AF and subject tracking. What started with just eyes and faces has blossomed into planes trains and automobiles. The goal is to see the subject (any subject) in the viewfinder and let the camera track it in 3D i.e. from every angle. Sony, Nikon and Canon are all moving in a similar direction, which will win out will depend on their mastery of AI.

Other Stuff

What would we like to see?

We like the voice note recorder in the Z9. Surely the technology exists to turn to text and include with the image metadata.

If a camera has low light capability then illuminated controls and an illuminated viewfinder would be welcome.

Should we have to fiddle with the ISO. My phone just works whatever the light. Surely a restricted light mode would be useful.

We are just assuming weather sealing to the standard of the Canon EOS-1D X or better. Why not waterproof like mobile phones are?

If it can be manufactured so that it is really robust, we like the four-axis LCD touchscreen that tilts horizontally and vertically on the Z9. We can add that to our wish list.

Canon R1 Price

Let’s set some benchmarks. The Canon R3 is $5999 / £5879, the Sony A1 is $6498 / £6499, the Nikon Z9 $5496 / £5299. So the A1 and the Z9 are comparable with the R3.

The Canon EOS-1D X Mark III is currently $6499 / £6999. So expect the R1 to be fifteen hundred to two thousand dollars and pounds above the R3.

For that price, Canon is going to have to build a phenomenal camera, and it should be if they follow this spec’.

Cliché Photography Update

by John Gough

The Scottish Landscape Photographer of the Year contest has this year banned photographs from ‘hotspot’ locations. Top of their list is Glen Coe.

I wrote recently about cliche photography i.e. everyone taking pictures of the same things. I explained that you can go to Buttermere in the Lake District and put your tripod into the holes left by the many other photographers who have photographed the same view.

I really enjoyed travelling around Scotland photographing the beauty spots. Taking photographs that were not that unique but I enjoyed myself. This view of Glen Coe was taken from the layby on the A82 which winds through this wondrous valley.

I stood there with around twenty others who mostly had taken out their phones and captured the amazing scene in front of them. We should be delighted that photography is now one of the most popular pursuits in the world, whether you are photographing a selfy or a Scottish hotspot.

Canon September News

by John Gough

Finally this week after considerable prelaunch publicity the Canon R3 was announced in a burst of Canon September News. We had got most of the details right, except we did not know the price which will be £5879 in the UK, putting this camera clearly in a professional space.

Canon R3 Specification

A recap on the specification.

24MP Stacked CMOS Dual Pixel AF sensor
30 fps Electronic shutter
Eye Control AF and a 5.69M-dot electronic viewfinder
AF with subject recognition for humans animals and vehicles.
Low light capability: AF rated as working down to -7.5EV (with F1.2 lens)
Both CFexpress Type B and UHS-II SD slots
Ethernet, Wi-Fi and Bluetooth
Canon’s new Multi-Function Shoe to which new accessories e.g. flash and mics can be fitted.
A one piece magnesium alloy body design, integrated with a grip section
Weather and dust resistance which is the same as EOS-1D.

Will the 24MP sensor be enough? This is what we wait to see.

Canon R3 Eye Control

This is a feature that cannot be demonstrated because you have to see it with your own eyes! In the video below from the irrepressible Chris Nichols and Jordon from DPReview, do their best, but we cant wait until these guys get their hands on a production model to see how it really performs. However, it feels like we are at the start of a new big change in camera design, and the old joysticks etc for moving the focus point around a screen, will seem so twin lens reflex in just a few years time.

That is if eye control works of course. If it does for wildlife shooters, this is a gamechanger.

Other Canon September News

It looks as though Canon is looking at both ends of the market, with the launch of the RF16mm f2.8 lens for just £319.

Excellent for vloggers, but also amazing for stills photographers with so many creative possibilities. As a documentary and street photographer, I cant wait to get my hands on it.

I use the RF35mm every day.

This video from Gordon Laing gives a preview

There is also a new 100-400 RF zoom at f5.6-f8 at £699. It seems a bit slow but considering the stabilisation on the latest R5, R6 and R3 then you have to ask why we need big glass. On the other hand, this lens may be a compromise too far. Let’s wait for the reviews.

Below Gordon does another excellent preview of this lens.

Canon’s Remarkable Prediction

Thinking about both ends of the market, there was an interesting snippet on Canon Rumours. Which was that Canon will announce a new R camera in January that is “going to annoy a lot of the [Canon] fanboys”.

What could this mean? A Canon R MkII, or a new Canon RP. My thinking is the latter as Canon may want to take on Olympus and Fuji with a smaller but fully functioning full frame or APSC mirrorless camera. This could replace the M-Series and bring their mirrorless cameras together in the R Series.

Remember you heard it here first!

Cliché Photography

by John Gough

Cliche Photography: Buttermere / John Gough

Cliché photography is about lack of imagination. Taking the pictures that everyone else takes. That can be location, genre, or processing. It is copying the photographs that others have taken before.

When I was in the Lake District earlier this year, I could not resist taking the lone tree at Buttermere. I had to queue, because there were other photographers in front of me, setting up their tripods. This is a very popular view. Try a search on Google, and you will see that lots of photographers have been there before you. Thousands of photographers each year take that same view. I agree all the images are different, and there are lots of different versions, but essentially they are all the same scene.

So is my version unique? I have changed the sky to one that was not there and added a texture effect to the foreground. So is it still cliche photography?

Cliché Photography: SLPOTY

Well, the Scottish Landscape Photographer of the Year competition (SLPOTY) is so fed up with receiving submissions from just a few places that they have banned images from certain locations from now on.

These are the most popular and most photographed views in Scotland. SLPOTY maintains that 80% of their submissions are just from these 19 locations!

So if you want to enter their competition you will need to find a unique perspective.

Isn’t Photography About Fun

I applaud the SLPOTY in trying to promote diversity but isn’t photography about fun. It is exciting to discover beautiful landscape images, find their locations and attempt to recreate or put your own take on familiar scenes.

I am going to Scotland next month and I look forward to tracking down the nineteen locations that the SLPOTY have banned and putting my stamp on their ‘honeypot’ beauty spots.

It is now so easy to find these locations and explore the views that other photographers have taken, by using books like these. These guides include instructions about how to get there and even where to park.

and

If you are a serious photographer and want to become Scottish Landscape Photographer of the Year, then avoid the popular beauty spots, but if like me you want to come back with some cracking shots, buy the books and shoot the clichés

Velvet Lensbaby Lenses

by John Gough

Velvet Lensbaby Lenses create glowing ethereal effects in camera, which are often difficult to reproduce in Photoshop. By changing the aperture the effect can be controlled from pin sharp to very soft.

Lensbaby was started in 2004 by Craig Strong & Sam Price in Portland, Oregon. The Lensbaby Velvet 56 arrived on the market in 2015, followed by the Velvet 85 and the Velvet 28. The series is available for multiple camera mounts: Nikon, Canon, Sony, Pentax, and Fuji cameras.

Lensbaby Velvet Soft Focus

Soft focus was once considered a technical flaw. However, it has now become a creative tool for photographers. In the past, it was only possible to achieve this by putting Vaseline on a UV filter! Lensbaby changed all that.

Many photographers also experiment with vintage lenses to attain a charming dreamy look. Velvet lenses do the same thing. The more you open the aperture the dreamier the effect becomes. Starting at the edges and working into the centre, the blur becomes more exaggerated with each aperture ring click. As the aperture is opened, the depth of focus also decreases and at ƒ/2.8, the whole image is a gentle mist.

At these wide apertures, it can look as though the image was painted. Lensbaby advocates insist this look cannot be created in Photoshop. However competent you are with layers and Gaussian blur. This unique effect may be down to the glow the lens will impart in some lighting conditions.

These are some examples collated on this Pinterest board.

Practicalities When Using a Lensbaby

When using a Lensbaby lens it is back to basics, because your camera will not recognize the lens. The lens has no electronic coupling. As a result, the aperture cannot be changed using the aperture control on the camera. To change the aperture it is back to using the aperture ring on the lens.

The lens works best in manual mode, although aperture priority can work on some cameras.

The focus is also manual. This is easiest with a mirrorless camera or using live view on a traditional DSLR. Note that the camera will not store camera settings with the metadata.

The Velvet also does not have an automatic diaphragm, which on modern cameras opens the aperture to its widest setting once the lens is mounted on the camera. As a result, the lens aperture closes as you stop down, and the view gets increasingly dark.

Which Velvet Lensbaby to Choose

Lensbaby Velvet 56

Although this is primarily a portraiture lens, the lens is a ‘nifty fifty’ with glowing ethereal characteristics. It has a 1:2 macro ratio, making it perfect for misty flower photography.

Lensbaby Velvet 85

A short telephoto portrait lens, capable of 1:2 macro photography with a minimum focusing distance of just 24cm. So ideal for nature close ups.

Lensbaby Velvet 28

A wide angle lens ideal for landscapes and travel, but with a 1:2 macro facility.

Why Buy a Lensbaby Velvet

There is a movement back to simpler photography. Creating effects that can be created in camera, and which do not need layers of Photoshop in post production. Techniques like ICM, multiple exposure and vintage lenses.

The Lensbaby range is right on trend. If occasionally we do not always want to see our world with hard, sharp, twenty twenty vision, then the Velvet Lensbaby takes us back to a more gentle era.

Christine Ellger Flower Photography

by John Gough

I am constantly looking for inspirational flower photography, and recently I have been loving the work of Christine Ellger.

BIOGRAPHY
Christine Ellger was born in Germany in 1948. Her interest in photography was heightened with the advent of digital photography and the infinite possibilities it offers in terms of processing. Since she retired in 2010, Christine Ellger has been continually photographing the world she has been discovering on her travels. She collects photographs and subsequently retouches them, conferring a magical aspect to them stemming directly from her imagination. The originality of her work is thus based on its fantastical and hyperrealist rendering. At first glance, the spectator cannot make out the photographic technique used. Hyperrealist style is the identical reproduction of a photograph as a painting. This painting is often so realistic that the spectator comes to question the very nature of the work. This well and truly applies to Christine Ellger’s bewitching world.

Christine Ellger is known mainly for her fantastical composites but she has a considerable catalogue of flower photography. I have collated her beautiful flower photography here. Like her composites, they have a dreamy ethereal quality.

The learning for my own flower photography is:

Usually single flowers and pairs
The flowers are close up and fill the frame. On some only part of the flower is shown
The square format usually works well
Dark backgrounds and use of texture and light. The backgrounds include several dark colours.
Plain background and textured flowers rather than textured backgrounds and plain flowers.

Brilliant

Hyper Collage Photography

by John Gough

Ysabel Le May Hyper Collage Photography

Hyper collage photography has developed out of collage, which has long been a technique used in both art and photography. Man Ray was an early exponent of photography collage in the 1930s. Jump forward, and we are all aware of the images created using Photoshop layers to build composites. Often to create fantasy effects. Andrea Hargreaves is one of my favourite artists using this technique.

….but what is collage? The Museum of Modern Art defines a collage as: a “technique and resulting work of art in which fragments of paper and other materials are arranged and glued to a supporting surface”.

Hyper collage photography is a technique that combines multiple images that are manipulated using Photoshop. For example, Jim Kazanjian uses the technique to combine photographs of different architectural features to create fantastical buildings and landscapes.

However, what has grabbed my attention. Are photographers that are using natural phenomena to create fine art hyper collage images.

Fine Art Hyper Collage Photography

Ysabel Le May

I first came across Ysabel le May at the Saatchi Art. Where her work sells for upwards of $4000.

She is based in Texas and her art has been exhibited all over the world.

Ysabel Le May can be summed up simply: W.O.W. It stands for ‘Wonderful Other Worlds’, which she creates through the process of hypercollage.
Saatchi Art

She photographs the natural world and uses collage to piece the images together to create a fantastical depiction of nature. She calls her images baroque tableaux.

The video above demonstrates the process she uses.

Lisa Frank

Lisa Frank is an American artist who describes her work as looking to communicate those momentary flashes of connectedness with nature.

She creates tapestries and still life composites using natural materials.

It is my purpose to draw the viewer into a local world as it hasn’t been seen before.
Lisa Frank

You can follow her process here.

Cas Slagboon

Cas Slagboom is a Dutch artist. Again he uses natural objects but often combined with human figures to create a fantasy feel.

For me, photography is more than capturing the perfect moment. Every time I try to capture my astonishment with a single photo, I am disappointed. This was not what I want to see and feel. It is larger, more complex, more diffuse. I have to bring all those fragments together. In compositions in which they together tell a story that transcends my understanding. So, that every time I look at it, I can be surprised again.
Cas Slagboon

All the photographic technology we have to capture our world in images may give us idea that we really see it. ………I use modern technology to find a language that exceeds the photographic moment, so there is sufficient room for the complexity of what we call reality.
Cas Slagboon

Summary

I included the two quotes from Cas Slagboon because they sum up my own feelings. That it is difficult to capture the reality of the moment with just one photograph. I have been experimenting with the Pep Ventosa style of photography and mixing abstract and reality to capture what we really see and feel.

Hyper collage photography is just one more technique on that journey.

May and June Images of the Month

by John Gough

My Images of the Month for the past couple of months demonstrate the importance of preserving nature. Especially preserving nature where plants, insects and animals can survive.

The number of insects in my garden in Bedfordshire, UK has declined horrendously over the past few years as farmers spread chemicals on their fields, and developers gobble up green sites for building. Loss of habitat is a major contributor.

Overall, 76% of the UK’s resident and regular migrant butterfly species declined in either abundance or occurrence (or both) over the past four decades.
Butterfly Concervation

Insects are declining at around 1% each year. That means an insect apocalypse in our children’s lifetime.

Canon EOS R3 Features

by John Gough

We have researched all we know about the Canon EOS R3. The launch is about 2 months away, for what will be Canon’s fastest mirrorless full frame camera. The EOS R3 is going to be the go to camera for sports and wildlife professional photographers for years to come. To get this right, Canon is going for some pretty awesome features.

Although the R3 will probably be too expensive for many amateurs, some new features do give us an indication of how camera technology is progressing and what we might expect further down the line for Canon mirrorless cameras.

Canon EOS R3 Features:

So let us look at what is new.

Stacked CMOS Sensor on the EOS R3

The R3 will be the first EOS camera to feature an entirely new stacked BSI CMOS sensor. The advantage of this type of sensor is the fast readout speed. This boosts the camera’s maximum shooting rate. With no mirror constantly flipping up and down, mirrorless cameras are pushing burst shooting rates ever upward, but now with this sensor they have just got quicker.

Faster readouts also mean faster autofocus. So fast that it happens in the blinking of an eye. This means shooting 30fps with full AF/AE tracking using the electronic shutter. Canon claim that even at this speed there will be ‘minimal distortion’ of the type usually caused by a rolling shutter.

So this begs the question why do we need a mechanical shutter?

Eye Control AF with the EOS R3

Yes, autofocus in the blinking of an eye. Look at a subject and the AF will follow your eyeball and focus on what you are looking at! This feature is going to be the most talked about subject of all. in the R3 reviews.

The original technology was first seen in the 22-year-old Canon EOS-3 film camera, but never progressed to digital. One of the problems was the tracking of eyes through glasses. What about sun glasses?

This is the rear of the Canon EOS R3 and it can be seen just how big the viewfinder has to be to accommodate this technology.

Capturing Movement with the R3

Canon insists that the R3 can master fast movement. This will not only interest sports photographers in the Grand Prix arena, but wildlife photographers capturing birds in flight. Canon eye tracking is already good with the R5. It will be amazing to see an improvement in this area.

Canon R3 Sensor Size

Rumour has it that the R3 will be priced around $6000. Below the Sony A1. Why? Well the A1 has a 50.1MP sensor. We don’t know the size of the R3 proposed sensor, but it could be that the R3 will have a smaller sensor. Perhaps as low as 20MP to enable sports photographers to quickly transfer images from the touchline.

UPDATE: We are now pretty confident that the sensor size will be 24MP

Just a thought, but what if the size of a sensor in the future is no longer linked to image quality? What if Canon’s new sensor is low in megapixels but has stunning image quality? Maybe through the use of new technology, perhaps even AI as employed on camera phones? There has been considerable research going on into this phenomena over the past few years. What if Canon has cracked it?

Canon EOS R3 Summary

What is quickly becoming apparent is that the R3 is an expensive specialist camera with awesome technology. It is not an amateur camera. We will not be seeing many at the local camera club outing to Clacton. However, what we can expect is that many of its new features will be headed for a Canon camera near you in the near future.

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